The Delaware Choral Society, conducted by James Wilson, performs the Delaware premiere of “Eat Your Vegetables!" - Set One

Bob Cole Conservatory Chamber Choir (California State University, Long Beach), with guest conductor John Alexander, performs Muehleisen's moving setting of African-American poet, Paul Laurence Dunbar's "When All is Done," originally commissioned by University of Wyoming Concert Choir, conducted by Nicole Lamartine, to commemorate the tenth anniversary of the murder of Matthew Shepard.

The Ladies Musical Club of Seattle presents Northwest Composers Spotlight, featuring Muehleisen's haunting song cycle,  Apparitions, poetry by Walt Whitman. LMC member performers Katie Hochman, soprano; Candice Chin, violin; Julie Shankland, clarinet; and Asta Vaicekonis, piano will perform the cycle. Other composers featured on the concert are Heidi Fivash, Sarah Mattox, Garrett Fisher, Karen P. Thomas, Jeffrey Moidel, and Matthew James Briggs.

Una Vocis Choral Ensemble, conducted by Dennis Lee, performs "River Moons" and "Snow (The King's Trumpeter)."

The Lake Orion High School Chamber (Treble Ensemble), conducted by Bryce Thompson, performs "Da Pacem."

The world premiere of Muehleisen's "Borders" will be featured on a DCINY (Distinguished Concerts International New York) concert at Carnegie Hall, conducted by Matthew Melendez. Commissioned especially for this event, Muehleisen’s cantata draws from many of the constituent cultures that make up the American tapestry. Scored for soprano solo, adult choir, children’s chorus, strings, piano, and percussion, the work explores the question, “How should we treat the stranger—the foreigner—amongst us?” Beginning with a Salish song of welcome, Muehleisen weaves together…

The West Coast premiere of Muehleisen’s “Borders” will take place in Shelton, WA, conducted by Matthew Melendez. Muehleisen’s cantata draws from many of the constituent cultures that make up the American tapestry. Scored for soprano solo, adult choir, children’s chorus, strings, piano, and percussion, the work explores the question, “How should we treat the stranger—the foreigner—amongst us?” Beginning with a Salish song of welcome, Muehleisen weaves together European, African, Asian, Middle Eastern, and Latin American folk songs with his own…

After its West Coast premiere on June 1, Muehleisen’s “Borders” will an encore performance on June 2 in Bremerton, WA, conducted by Matthew Melendez. Muehleisen’s cantata draws from many of the constituent cultures that make up the American tapestry. Scored for soprano solo, adult choir, children’s chorus, strings, piano, and percussion, the work explores the question, “How should we treat the stranger—the foreigner—amongst us?” Beginning with a Salish song of welcome, Muehleisen weaves together European, African, Asian, Middle Eastern, and…